 A photo I took of a woman last December walking with her cup of tea in the snow, remarking that I wanted to be just like her by this time next year. This year untangled and unraveled me. The deeply embedded, subconscious patterns that cycled through my brain finally began to melt, like wax walls collapsing in on themselves. I think the greatest ego death for me came from my layoff in August. Before that, I felt like I was functioning at surface level, just trying to keep my head above the water of my own bad habits
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Ruth Asawa is a name I’ve come across again and again as I’ve become more immersed in studying art. This retrospective was spectacular, with 300 of her works on view. I was already aware of Asawa’s tactile nature—she doesn’t shy away from texture or form, and her wire sculptures, in particular, exist within a universe of their own. I was excited to enter this exhibition somewhat blind to her history, and even more excited to experience her work for itself.
 The Nassau County Museum of Art's latest exhibition, Real, Surreal, and Photoreal, was a real delight. The many artworks featured transcend time and space, some highlighting details that are hard to miss while others offer broad strokes of how we might perceive something to appear. The theme of the exhibit feels all-encompassing, and I was excited to dive in.
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"You can only be afraid of what you think you know.”
― J. Krishnamurti
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